“沉睡三千年，一醒驚天下”的三星堆遺址，是中華文明璀璨星河中明亮而神奇的一顆。
羅丹是“現代雕塑之父”，他的作品中飽含對生命💕🚵🏿♂️、自然的歌頌、熱愛與憂思。
在天美平台舉辦的特展——“青銅之光🤾🏻♂️：三星堆與羅丹的超時空對話”展出了許多三星堆、金沙遺址出土文物和羅丹及其同時代雕塑家的作品，讓我們一起來詳細了解展品背後的故事吧！
青銅虎
· 商代後期（公元前1300年—前1100年）
· 長34.5厘米，寬15.5厘米，高32厘米
· 2022年出土於四川廣漢三星堆遺址八號祭祀坑🎅🏿，K8⑨👩🚀：692
· 四川省文物考古研究院藏
· Late Shang Dynasty (1300B.C. - 1100B.C.)
· L. 34.5 cm; W. 15.5 cm; H. 32 cm
· Unearthed from No. 8 sacrificial pit at the Sanxingdui Site in Guanghan, Sichuan, in 2022,K8 ⑨ :692
· Collection of Sichuan Provincial Cultural Relics and Archaeology Research Institute
整體形態前傾。圓眼、方鼻、額部凸起，張口、露齒🙁，橢方大耳，耳下端略呈弧形，耳末端呈尖狀。 身體彎曲🧏🏼♂️，胸前飾雲雷紋，身體兩側飾羽紋✤，腹部兩側各有一排鱗甲，四爪前後分別兩兩相連，呈抓握狀，前後爪部兩側均有一圓形孔洞📠，腿部飾雲紋。尾部長出一翅翼，與額部相連，部分殘缺，體大上揚☝🏽🕒，鏤空，有三個圓形小孔🪟，翅翼尾部變形彎曲。在古蜀信仰中👨💼𓀜，虎崇拜占有重要地位。該青銅虎整體威猛有力，表現了古蜀人對力量的崇拜📌。在三星堆遺址中出土了造型各異、質地不一的虎形象器物，應該是當時人們對虎崇拜的真實寫照，其扮演的角色應是祭祀活動中人神之間溝通的靈物，具有重要的象征意義。
This bronze tiger has an overall forward-leaning posture. It has round eyes, a square nose, and a bulging forehead. Its mouth is open, showing its teeth. It also has large cuboid ears, with the lower parts of the ears slightly curved in an arc shape, and the tips of the ears are pointed. The body of the tiger is curved. The tiger is adorned with Yunlei Wen ( 雲雷紋 , cloud & thunder pattern) on the chest, Yu Wen ( 羽紋 , feathery pattern) on both sides of the body, and rows of scales on both sides of the abdomen. The four paws are connected in pairs, resembling a grasping position. There is a round hole on both sides of the front and hind paws respectively, while the legs are adorned with Yun Wen ( 雲紋 , cloud pattern). The tail looks like a wing and is connected to the forehead. It is partially fragmented, large, upward-pointing, and hollowed, featuring three small round perforations. The end of the tail is curved and stylized. The tiger worship held a significant place in the faith system of the ancient Shu people. The overall majestic and powerful looking of the bronze tiger manifests the reverence of the ancient Shu people for strength. At the Sanxingdui Site, a variety of tiger-shaped artifacts have been unearthed, with different designs and textures. As a representation of the tiger worship, these artifacts functioned as a spiritual medium for the communion between human beings and deities in sacrificial activities.
創世記
· 奧古斯都·羅丹（1840 — 1917）
· 青銅
· 高 20 厘米，寬 25.5 厘米，深 11 厘米
· Auguste Rodin (1840 - 1917)
· Bronze
· H.20cm; W.25.5cm; Pr.11cm
組合雕塑是羅丹的一個非常顯著的雕塑技法👨🏼⚕️🍠，代表了他在雕塑領域的創新和現代性🎟。羅丹以非傳統的方式將這些元素組合在一起，創造出獨特而復雜的作品。這些組合雕塑常常具有強烈的情感和深刻的主題，常常引發觀眾深刻的情感共鳴。《創世記》這件組合雕塑作品由《地獄之門》中 的三個人物組成👮🏼♀️，一個是左臂向前伸展的“被懲罰的女人”。創作靈感明顯受米開朗琪羅的影響📵，因為米開朗琪羅在西斯廷教堂中最著名的作品名為“創世記”👨🏻🦯➡️，講述的是著名宗教故事，上帝伸出手臂給予亞當生命。羅丹的這件雕塑和米開朗琪羅的畫作同名，且“被懲罰的女人”也正在伸出雙臂🖊。這個“被懲罰的女人”右臂則抱住名為“永恒的偶像”中的兩個人物，但在這裏👩🦯，這兩個人物前後交錯挨著🫴🏽，而在《地獄之門》中他們是面對面的。這件作品創作於 1890 年至 1900 年之間，屬於羅丹中期的作品，較為成熟👎，是組合雕塑的典範。羅丹的組合雕塑技法使他成為現代主義雕塑的先驅之一，他的作品為後來的藝術家提供了啟發， 激發了他們創作復雜和多元化的雕塑作品。在底座前方有羅丹簽字 A.Rodin。
Assemblage is one of the most significant techniques for Rodin, representing his innovation and modernity in sculpture. Rodin often combined different sculptural elements in unconventional ways and created unique and intricate works. These assembled works are typically characterized by intense emotions and profound topics that deeply resonate with readers. Taking The Creation as an example. It comprises three figures from The Gates of Hell, one of which is the punished woman, whose left arm extends forward. Obviously, Rodin got his inspiration from Michelangelo’s masterpiece The Creation of Adam in the Sistine Chapel, a work illustrating the well-known religious story of God reaching out his arm to give life to Adam. Likewise, the punished woman in the assemblage is stretching out her arms and embracing two figures from Eternal Idol with her right arm. In this piece, the two figures face the same direction, whereas in The Gates of Hell, they face each other. Created between 1890 and 1900, The Creation is one of Rodin’s mid-term works and regarded as a representative of assembled statues. With remarkable assemblage technique, Rodin pioneered modernist sculpture, and his works inspired later artists in the creation of complex and diverse sculptures. There is Rodin’s signature “A. Rodin” in the front of the pedestal.
展覽時間：
2023年12月13日至2024年2月1日
展覽地點🏌🏻♂️：
天美平台一層臨展廳
（上海市寶山區南陳路333號）
開放時間：
周一至周日8:30-16:30(16:00停止入館）
定時講解：
周一至周日10:00、14:00🤷🏼♀️、15:30
校內師生憑本人一卡通入館，無需預約
校外觀眾采取網上預約方式入館，掃描下方二維碼或關註“天美平台”微信公眾號🦌，點擊“個人預約”。
/地址/
上海大學博物館
（南陳路333號）
